Sawtooth Building by Susan Smith

Celebration of Life

I roused myself out of bed in time to shower, dress and drive to the Sawtooth School for Visual Art. Today, in the midst of their usual offerings, was a class tailored and sponsored by Cancer Services. The hands-on clay workshop was titled “Survivorship Seminar: Celebration of Life Box.” The focus was to create a box to store memories from our cancer journey.

Street parking was plentiful and free at this hour. I walked the half block on the brick pavers that flanked the unique architecture of the building. The roofline mimics the teeth of a saw…hence the name “Sawtooth”.

I was greeted by the director of Cancer Services once inside. She could barely contain her enthusiasm as she pointed out our workspace and refreshments. The ladies that arrived before me were getting to know one another. There was no mistaking which side of the room was designated for our class. The tell-tale signs of chemotherapy were evident…a head covering (hat, scarf or wig) cloaked extremely short or newly grown hair, absent or missing eyebrows, and an aura of fatigue. Yet they were all smiles and excited about today’s adventure. As was I.

Each station was supplied with two pieces of clay that had been extruded. The center of our table held a basket containing the tools needed to shape our creations. Around the perimeter of our area were bins and tables displaying a variety of stamps, molds, and texture sheets. Our attention was directed to the head table where the instructor meticulously demonstrated the first steps in preparing the bottom, top, and sides of our box. She then dispatched us to choose the design elements to embellish the creation that will hold our precious memories. As we explored the cornucopia of design options, it became obvious when the perfect pattern was discovered. “Ohhh…how beautiful!”

Everyone, except me, settled back into their seats and started working with the clay. The myriad of choices summoned the analyst in me that is always lurking just beneath the surface. Did I want something elegant or playful? As I pondered the question, I thought about the contents that would find a home within the confines of the box. The memories held within would be more than just those from my cancer journey. My “Celebration of Life” box would also contain trinkets that summoned memories of my Mother. The cancer treatments prevented me from making the eight-hour trek home to visit family. Now that I am better and can travel…the trips home won’t be the same without Mom waiting at my destination.

My thoughts were interrupted only by the “BAM” of the extruder as it choked out sheets of clay for the adjoining class. My eyes paused on the nature stamp…decision made. Butterflies and dragonflies are symbols of change – often associated with cancer. Mom loved gardening and spent countless hours with her flowers. Yes, the nature theme was perfect…but presented complications. The stamp was narrow and wouldn’t cover the full height of the box. Leaving me with a quandary of how to fill the remaining area. The stamp was also too short to fit the length of the sides requiring the stamp to be applied multiple times. The details in the stamp would make lining up the images tricky…requiring more skill than I possessed. Determined to achieve the nature theme, I carried my stamp selections to the sample clay beckoning me to practice. Several design scenarios were attempted and aborted before finalizing the plan for my project.

Time to create! The clay felt cool and firm in my hands. I made several passes across the surface with the scraper to replace the canvas pattern with a smooth surface. Slivers of clay peeled off onto the tool. I noticed that they were slightly warm to the touch. An interesting contrast to the initial sensations of the clay. Next, I marked the boundaries for the pattern using the cardboard templates. Before pressing the images, I painstakingly laid out the placement for the stamps. A continuous border would be too difficult so I opted for breaks between each placement. A trio of dragonflies would be pressed within the breaks. Line up…level…place …press with roller…lift slightly to check depth…roll more…lift…good…repeat.Celebration of Life Box - Front

After stamping the sides, I decided on the pattern for the top. Four dragonflies would converge on the center where a cross would stand. The strength for my cancer journey came from my faith. When times were tough, I leaned upon my scripture verse. And when my condition improved, I praised God for his provision.

I can do all things through Christ who strengthens me.

Phil 4:13

“Dang it!” I cut the top but forgot to extend a half-inch beyond the template. The instructor’s solution…the top could become the inside of the bottom of the box. Crisis averted…Whew! But then I realized this was divine intervention…not an error. If the cross was on the lid, it would be covered by the handle. Not good. Now the cross is inside the box…representing that Christ is inside of me and the foundation of everything in my life. PERFECT!

A brief intermission was announced so we could watch a demonstration for the handle and legs of the box. I had an epiphany…I remembered a wood grained pattern that would compliment the  nature theme! Back to the lid. The dragonfly image was stamped onto the surface pointing toward the center. I cut out four dragonflies and attached to the handle as if they were taking flight…representing that I am moving on with my life…a changed person. VIOLA…done! I’m SO happy with the finished product.Celebration of Life Box - Lid

I realized that I was exhausted from standing but was beaming from ear to ear. I was noticeably more relaxed than when I started. I can’t remember the last time I worked with clay but am now considering a new hobby.

We said our “good-byes” and left our creations to be fired and glazed. Since this is a busy time for Sawtooth, our finished boxes will not be ready until December. I’ll share pictures when I get it back…promise!

Sawtooth Building” by Susan Smith is licensed under CC BY-NC-ND 2.0

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